Showing posts with label Sefrou. Show all posts
Showing posts with label Sefrou. Show all posts

Monday, January 31, 2011

My Unfinished List of Moroccan Culinary Treats: Mint Tea, Marinated Olives, Pure Olive Oil, Chebekia, and Harira

Moroccans are proud of their cuisine and they should be; it's some of the most tasty, best seasoned, and diverse in the Mediterranean.  Sometimes you need to take a drive to experience the diversity, and if you do, you'll certainly be rewarded.  Below is just one list of many lists to come.

I actually did not cook a lot of Moroccan food while in service, but was a happy recipient of a lot of home-cooked meals.  In most cases, the kitchen was off-bounds for me so I had to ask other female volunteers or search the web for insight into the magic that was taking place behind closed doors.  As I sit back and reflect on my two years of Peace Corps service, the cuisine is something that I'll surely miss.  However, even though I am back stateside, there's no reason why I shouldn't try to recreate the magic.  I'm going to give it my best shot.  Some of the items listed have links to recipes and preparation videos so I invite you to do the same.  Enjoy the read and enjoy the food!

Aatay b na na (Moroccan Arabic name for their sweet-as-molasses Moroccan mint tea) a.k.a. "Le Whisky Marocain"
Some Moroccan Tea at the Cascades of Ouzoud
Moroccans cannot be separated from their tea.  If the price of tea were to go up or if the government were to impose a tax on the consumption of tea, without a doubt there would be a massive revolt.  It is a Moroccan staple that is unlikely to change for many years to come.

No matter where you go, there will be countless invitations to share a little tea.  In the cold winters, there's nothing better to warm you up or to give your body a sugar jolt.  At first, I was really turned off by all the sugar, but then I began to miss the taste of their tea and towards the end I would get on the garçon's (waiter) case about skimping on the sugar.

The distinct taste is a result of two main factors.  Unlike the American or British tradition of pouring hot water over the leafs or herbs and letting it brew in the mug, Moroccans brew their green tea leaves in their ornamental teapots, they then add a brick of sugar and brew it a little longer, and then they turn off the gas and add fresh mint (naa na), verveine (luiza), or other seasonal herbs like wormwood (chiba) - the stuff they use to make absinthe.  All three varieties are super delicious and healthy if you cut down on the sugar.  I invite you to try them all.

You may also find that many Moroccans don't blow on their tea to cool it; instead, they slurrrp it.  It took me a while to master the technique, but essentially you breath it in as you drink it and it has the same cooling effect if you do it right. BssHA (To your health) on your tea drinking! 

Mountains of Olives
Moroccan black olives
Seasoned Moroccan green olives
Morocco is blessed with the perfect climate to produce some of the finest olives in the Mediterranean.  Their seasonal winter rains and clear, blue summer sky are ideal for the sun-loving olive groves.  For someone who was a fan of olives already, arriving in Morocco and seeing heaps upon heaps of olives at the souq (market) was such a comforting and overwhelming experience.  What's even more mind-blowing is how great each variety tastes and even more amazing than that is how cheap they are.  Your typical U.S. supermarket stocks various sizes of green Spanish olives or bland black ones.  In contrast, most Moroccan markets showcase their largess in rows of olive peaks of light and dark green olives marinated in a mix of red peppers or lemon and parsley, purple olives, and the bitter and wrinkly, but flavor-packed black olives. 

Moroccan cuisine incorporates olives into their meals quite well.  I remember one day during my Community-Based Training my host mother marinated a whole chicken with onions, peppers, lemon rinds, and a dash of saffron and other spices, placed it in the oven with all the seasonings and then brought out a golden brown chicken that was surrounded by a moat of tangy chicken broth on an innumerable amount of green olives bobbing in suspension just asking to be devoured.  I had this meal over two years ago and I can remember it as if it was yesterday.  What a delicious feast!

Unadulterated Olive Oil

Unfortunately, I don't have a picture of Moroccan olive oil.  In terms of appearance, it looks a lot like the olive oil from Spain or Italy.  Some oils are filtered more than others.  Personally, I liked the strong bitter taste of some of the country-pressed oil that had undergone less filtering.

A typical breakfast in Morocco consisted of fresh out-of-the-oven bread that was then broken up and dabbed over olive oil.  Not what you would typically eat as breakfast in the U.S., but oh was it tasty.  The hot, toasty bread dunked in a little oil would simply melt in your mouth and the aroma of the oil was so wonderfully pleasant.

With such a large supply of olives, olive oil can be found everywhere also for much cheaper than you would find at U.S. or European stores.  I am surprised that Moroccan olive oil has not made it to U.S. stores yet.  According to the latest "Free Trade" deal between the U.S. and Morocco, olives and olive oil were going to be one of the few commodities that would start flowing to the U.S.  I hope it does, and I hope it does soon.

Ramadan Sweet Treats: Chebekia

When I arrived in Morocco back in September of '08, I got in about mid-way through Ramadan, a month characterized by the dawn to dusk no food or drink fast and more religious observance.  As you can imagine during the day, most people in the streets deprived of any liquids or food are moving in slow-motion careful not to exhaust their reserves.  When I first heard of Ramadan, I wasn't aware of the liquids ban and thought, "Now that's extreme." Then, later on I was invited to break the fast with my host family and tasted my first chebekia and thought, "Now that's extreme flavor!"

Even the bees are crazy for chebekia
These golden brown rolled and folded fried cookie dough treats smothered in honey and sprinkled with sesame seeds were a wake-up call to my taste buds.  No MSGs necessary to go on a binge.  These confections are naturally addicting.

Sometimes I think that I should go on an anthropological expedition to find out how different foods came about.  Is there a National Geographic show or something on the Food channel on this?  Well, if there is, the next episode should focus on these crunchy, sweet hard-to-put-down confections.  Until a show reveals the history and evolution of this delicious Moroccan delight, I will thank the culinary God(s) for giving my fellow Moroccans this bit of divine inspiration.    

In my old town of Sefrou, I could buy about a quarter kilo for 5DH (less than $1) from a old medina hole-in-the-wall Hlwa hanut (sweets vendor), and I would typically finish it in one night.  If I wanted some with real honey instead of syrup, I would shell out about twice as much at a fancy patisserie for about the same amount.  It's a dieter's worst nightmare.  Mountain Dew wouldn't stand a chance against these guys in jacking up your blood sugar so unless you're going to expend the calories, eat responsibly.

Click here if you wish to see a recipe.  Fortunately, if you're on your way to Morocco, no need to wait until Ramadan; most patisseries and some old medina Hlwa street vendors carry them year-round.

Harira

Whenever someone utters the word harira, my mind automatically drifts to my first bowl ever where I learned the art of eating it with bowl in hand, swishing it around in circular motion, and then giving it a hearty slurp.  In the cold Moroccan winters, it was a lifesaver.  When I was broke, it would stave off a growling stomach without breaking the bank (2DH or 25 cents for a bowl).

Harira, harira, hariraaaaa!!!
Tomato serves as the base, but with cilantro, parsley, ginger, onions, chickpeas, lentils, carrots, celery, and a handful of vermicelli all mixed in, it's much more than a tomato soup; it's a bonanza of flavor that is full of substance.

Harira is also very common during Ramadan.  Generally, families break the fast with a bowl before moving on to other life-reviving foods.  Not to worry though, harira can also be found year-round at most restaurants, hole-in-the-wall harira vendors, and a lot of families make it to survive the winter.  Some will add a bit of harsha (the equivalent of American corn-bread) to it or will break apart a chebekia on top.  Others that like the sweet and salty combination will simply eat some dates while slurping a mouthful of harira.  There are many ways to experience this hearty soup.  If you're unsure how to approach it, try them all!

Do try this at home! Click here for the recipe.

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Before I wrote this entry, I thought about ranking the items, but then I thought about how silly rankings really are.  I mean how do you compare chebekia to couscous; they're on two different playing fields and my rankings were in constant fluctuation as one couscous tasted better or different in someone's home than it did in someone else's.  Also, every region in Morocco prepares things slightly different depending on the availability of ingredients.  I still have a lot more food items that I need to write about.  This list is bound to grow in the coming months and years.

Thanks for reading and again BssHa (To your health) on your culinary endeavors.

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I found a few bestselling books on Moroccan cuisine on Amazon.  According to one reviewer, Paula Wolfert wrote a textbook-like guide to Moroccan cooking back in the 1970s that is still the authoritative book.  Some of the newer ones have better pictures, but may not be as authentic.  Check them out!

  

Friday, December 3, 2010

Hinajen Elementary Belated Back to School Project

Hinajen kids with their new jerseys
Early in service I visited a small primary school about 5 kilometers from Sefrou.  The teachers and I had a little pow-wow, and they spoke to me about some of the challenges they faced in teaching the kids.  They mentioned one problem that is all too common in many rural schools: the lack of plumbing or restroom facilities.  For many boys, it's no big deal to irrigate the nearest tree, but for girls it's a whole 'nother issue.  The really young ones don't mind squatting out in the bush, but once they reach 4-5th grade, they as well as their parents feel that doing so is no longer appropriate.  They also said that they lacked school supplies and sports equipment.  I wrote down their information and said I would look into funding opportunities for building restroom facilities or basic latrines, but also told them that the community would need to contribute at least 20-30 percent of the grant amount.  I also told them that they would need to identify an association that I could send the funds to.  After that visit, I heard very little from the teachers.

I still remembered the kids and I relayed some of the information to my friends and family.  I told them to wait until the teachers identified an association, but unfortunately they never did.  The teachers were in agreement in terms of what they wanted, but not in how they wanted to carry out the projects.  I still remembered the kids and I still wanted to do something for them even if it was just helping out with school supplies.

Over the next year or so, I kept an eye for things that the school could use.  Luckily, Peace Corps Morocco got a donation of sport jerseys from the U.S. that our Youth Development(YD) Volunteers began to distribute at various language and summer camps.  I emailed the YD Program Manager about my little Hinajen Elementary School project, gave him the approximate number of students, and shortly thereafter, he sent a box full of jerseys.  Then, as my sitemate was in the process of getting rid of all his worldly possessions before returning to the U.S., he offered to give me an unused soccer ball and a basketball that was in pretty decent shape.  A few months later, Peace Corps sent out a notice to volunteers that they had received a donation of reams of printer grade color paper.  I petitioned for a few boxes and during one of my program manager visits, they dropped off about 10 reams and several rolls of butcher paper.  Then finally, last summer a group of young kids from a gap-year program called Where There Be Dragons led by couple of Morocco RPCVs stopped by Sefrou to take part of a number of cultural exchange activities.  Towards the end of their visit, they learned about the Islamic tradition of zakat or almsgiving.  They decided to take a portion of their travel funds and to donate it to a worthy cause.  The volunteers contacted me about their donation and I told them that I would be able to find something to put their money to good use.  In total, the group collected about 1,200DH or roughly $160.  It was a nice chunk of change.

I spoke to one of the teachers about the donation and he immediately drew up a list of items.  We then set up a tentative date for some sort of back-to-school event.  We bought a whole bunch of rulers, markers, scissors, notebooks, pencils, pens, etc.  We then applied some of the funds towards a purchase of about 40 school uniforms.  Together with the school supplies, uniforms, and the in-kind donations from Peace Corps and my sitemate, we had a good trunk full of stuff.  I was really excited about the event and told a few volunteers in the region about it.  I was hoping to have games and a big couscous lunch for the kids.

I left it up to my school contact to arrange the transportation and was hoping that the school district would pitch in for at least that.  A number of weeks went by and I heard very little.  Then, later on, I learned that the school director said that he would need to be present at the event because they feared that I and the volunteers were perhaps going to give out some Bibles and other Christian paraphernalia along with the gifts. When I visited the school last year, there was no mention of this, but this time the schools were on alert given a recent event that received wide media attention that exposed a group of Americans who were running an orphanage in Ain Leuh and were allegedly proselytizing the kids, which is strictly prohibited under Moroccan law.  I chuckled when I heard this.

So I had to call off the event and instead scheduled a drop-off for late October.  I hired a small pickup truck.  My school contact followed me and the driver behind in his sputtering lawn-mower-propeller moped, and when we arrived at the school, we immediately began unloading all the goodies.  I made a pit stop at a small shop and bought some sweets for the kids.  We took a few shots with the school supplies and then I left.  Later on, the teacher used his digital camera to take shots of the kids with the jerseys playing a little soccer.

It was disappointing that I couldn't put on the back-to-school event; even so, I was happy that the kids got a bunch of stuff that will hopefully make their school year a little bit more enjoyable and make their recess a lot more fun.

Rural areas of Morocco are still very much in need of assistance.  If you're interested in donating, I encourage you to browse through a list of community-based projects posted on the Peace Corps Partnership Program page or look into projects being funded through the High Atlas Foundation.  Once again, thank you for reading and thank you for donating.

Tuesday, November 30, 2010

You Can Dream. Stories of Moroccan Women Who Do.

A fellow RPCV produced an amazing video of six remarkable Moroccan women who have overcome all sorts of odds to succeed and to share their knowledge with other women. One of the women profiled is my counterpart, Amina Yabis, President of the the Cherry Buttons Cooperative. Her story and that of all the other women are truly inspiring. They exemplify grassroots development at its very core. Please share with friends and family and spread the word that women's empowerment, as Amartya Sen would likely say, is one of the many if not the most effective tool for alleviating poverty for women and their children, reducing infant mortality, reducing the number of births, improving the health of women and their children, and creating more accountable and representative governments around the world.


You Can Dream. Stories of Moroccan Women Who Do from cortney healy on Vimeo.

For more stories on Women in the Muslim World, please visit: http://womensvoicesnow.org/

Thursday, October 28, 2010

Introducing Mouhsine Khadira, Woodcarver Extraordinaire

One of my woodcarvers at the Sefrou Artisana finally agreed to have some of his work showcased to a wider audience. He is little apprehensive about publicizing his work out of fear that others could copy his ideas. I find that some of his work is so unique that it would be very difficult for someone to be able to do that, but according to Mouhsine, he has seen it happen with frequency.  He said that he'll go to an artisana expo one year and then see some of his models replicated by other woodcarvers the following year.

Mouhsine is one of the most chill individuals I know. I enjoyed hanging out with him, drinking tea with him in his boutique, and just talking about anything that came to mind.  From my travels through Morocco, I would have to say that out of the countless thuya-woodcarving shops I walked in and out of in Essaouira, one of the biggest woodcarving centers, his creativity and attention to detail are unparalleled. I have had the chance to watch him create a piece from conception. His careful planning and solid execution are admirable.

Mouhsine finally allowed me to post some of his materials because he would like one day to travel abroad to other woodcarving or contemporary art expos. Off the top of my head, I don't know of any expos in the U.S. or in Europe that would welcome his work. If you do, please send them my way. Like many artisans in Morocco, much of their amazing work goes unnoticed. We hope this site will get Mouhsine a little attention, which will hopefully lead to more opportunities in the near future.


The site was created with the intent to promote his work and not necessarily to sell (an e-portfolio of sorts); however, if you're interested in purchasing one of his sculptures, you can contact him directly if you speak French or Arabic or visit his boutique at the Ensemble Artisanal Bab El Mkam in Sefrou.  For more info, please click on the Contactez-moi page .

At the moment, he does not have a catalogue available.  Some of the pieces in Mes Sculptures have names.  You could use those names to inquire about a price.  If you'd like to have an item shipped,   DHL and FedEx service is available, but they run about 750DH a kilo or nearly $100 p/kilo.  Poste Maroc, the national postal service, is fairly reliable and will run about a third of what DHL and FedEx would cost you, but will take 2-3 weeks time to deliver anything and there have been instances where the delivery never arrives at its destination.  For a list of their rates, please visit and search under the "Vos Envois des Messagerie" @ http://www.bam.net.ma


http://www.wix.com/khadira/sculptures

Free website - Powered By Wix.com

P.S. I copied and pasted most of the text on the site from an old brochure that the previous Sefrou PCV made for Mouhsine.  My French is such that I can understand what the brochure is saying, but I can't tell you if it's grammatically correct.  For all you native French speakers, if you see something out of place, please let me know.  I and Mouhsine will be extremely grateful and as we say in Morocco for all good deeds done out of the kindness of your heart, llah yrHm l-walidin (May God bless your parents).

Sunday, July 11, 2010

Lunch with the Ambassador

It's not everyday you get to chill out with the high-ups in our government and much less in an informal setting, but just recently I got the chance to do that.  I can't explain exactly how it all came about.  It could have been that through my email blasting, which I've been doing over the last month, that word got around about my counterpart's trip to the U.S. to participate in the Santa Fe International Folk Art Market and at the opening of an exhibition titled Empowering Women hosted by the Museum of International Folk Art.  Another possibility was a referral from a dear friend of the Cherry Buttons Cooperative, Dr. Susan Schaeffer Davis, who not too long ago brought a delegation of U.S. Americans to Morocco and took them on a tour of events, some of which were attended by embassy staff and perhaps even the ambassador's wife.  Dr. Davis was one of the victims of my email blast to which she responded and said that she had recommended that the embassy staff meet my counterpart, Amina Yabis, if they were ever in the Fez region.

I got a call from Peace Corps staff alerting me of the ambassador's visit a couple of days prior to the expected arrival date, and then shortly after that phone call, embassy staff contacted me.  I was given a date, but few specifics: only that the ambassador's wife wanted to meet Amina and that they were aware that a Peace Corps volunteer was in the neighborhood so they also asked that I be present.  I was told not to contact security personnel as they would be responsible for doing so.  I relayed the information to my counterpart, but I forgot to tell her not to call any security personnel.

The day before their arrival, embassy security called me to give me an approximate time of when they would be there and to settle on a meeting point.  At the time, Sefrou was in full Cherry Festival mode.  The streets were decorated, there was a lot of foot traffic, music playing on different stages throughout the city, fantasia was on exhibit in the evenings, and expo tents were set up all over town, but the visit was not to partake of the festivities.  We decided we would meet at the artisana tent expo where Amina would be present with her cooperative ladies.

The following day there was a bit of drama.  Amina had told the Pasha, the equivalent of the security chief of the region, about the ambassador's visit and that he and his family may possibly dine in her home.  Amina said the Pasha did not take too well to the late notice and rebuked Amina for it.  At the artisana expo, local security personnel from either the police or other services approached Amina for more details, but she had none to give.  She told them to speak to me and I told them exactly what I had told Amina.  They wanted an itinerary that I simply didn't have.  When they realized that we were in the dark as much as they were, they cooled off and later on apologized to Amina.

As soon as the drama subsided, the black Suburbans arrived.  Amina and I went over to meet Ambassador Kaplan and his wife as they exited their vehicle.  On another suburban, members of the ambassador's family got out and we greeted them all.  A couple of volunteers who were planning to meet with Amina for Camp GLOW business came over to the tent and also greeted the ambassador and his family.  The ambassador's wife went over to Amina's booth, greeted the coop ladies and apprentices, and her family got to buying the coop's famous button necklaces and bracelets.

In conversation with security personnel, we determined that Amina would indeed host the ambassador and his family at her home for lunch.  As soon as we decided, Amina took off to get things prepared.

In the meantime, the ambassador and his family took a lap around the artisana expo with only the entourage of the security personnel.  The ambassador's visit was quite a contrast to the visit from the Minister of Artisana who had come through Sefrou only a few months back.  The entourage that followed that man was a good 50 meters long of what we PCV's call The Suits.  When the minister came to the artisana, all the artisans, members of the chamber of artisana, apprentices, and even myself formed a line for the minister to shake our hands.  Security personnel were out in full force with multiple vans shadowing the glossy, black Mercedes Benz-- the typical transport for government officials.  It was just a lot of pomp and circumstance everywhere.

I was happy that the political entourage was not there.  After all, this was not an official visit.  He did not come to make a proclamation or to shake hands with the political hierarchy; the ambassador and his family were here as your everyday tourist.

Next on the agenda was a visit to the Jewish cemetery in Sefrou.  I was about to say goodbye and to tell them that I would meet them at Amina's, but they urged me to come along.  I was honored to be accompanying the ambassador and his family, but more importantly I was psyched about the ride in the Suburbans.  For all my criticism of entourages, I was now part of one and I got to say that it did feel pretty cool.  The cemetery attendant greeted everyone with a "shalom" and then he began to blurt out some rapid-fire Moroccan Arabic that I could not understand nor could begin to translate.  Apparently, he thought that I was the tour guide for the group--not the first time this has happened.   The security personnel went over to the gentleman and explained that I was not Moroccan, but American, and that I was still learning.

The ambassador pointed to a grave that he said spelled out his first name Samuel in Hebrew.  The attendant led the group around the cemetery and pointed to graves where the remains had been removed and transported to Israel.  The ambassador said something to the effect that he had read that Sefrou had more of these empty graves than any other Jewish cemetery in Morocco.  In my nearly two years in Sefrou, this was my first time there.  It was interesting to see Hebrew written everywhere and to think that only 50 or so years ago Sefrou had a thriving Jewish population that lived in relative harmony with the Amazight and Arab population.

After the tour of the cemetery, we headed to Amina's home.  Once again I got to ride in the Suburban (it was cool the second time around as well).  Amina greeted the ambassador at the door beaming as she said in her limited English, "Welcome, welcome, welcome, and thank you, thank you, thank you."  We all sat down in Amina's living room and began to chat it up.  RPCV Gregg Johnson was there.  Amina's younger sister and her family were also there.  The ambassador and his family sat in one room while the security personnel sat in another not because there was not enough room, but because it was World Cup season and the other room had the TV tuned to the Paraguay vs. Slovakia match.

The ambassador and his family sat huddled towards one side of the room with the typical octagonal Moroccan table in the middle.  First, Amina's husband walked around with a water kettle and had everyone wash their hands.  Then, Amina began to bring out the food.  She did not do anything outside of what she normally does when she has guests visiting.   She served up the usual garnishes: small saucers of chopped tomato and cucumber, some saffron seasoned rice, some spicy tomato sauce, and a variety of olives.  She brought out the silverware in a tray that we passed around until everyone had one.  She also passed around a basket of bread.  Then, came the family platter of two oven-baked chickens with crunchy fries on top and a thick lemon sauce and green olives at the base--a classic Moroccan dish and one of my all-time favorites.  Not having individual plates to eat from, the ambassador's daughter asked, "So how do we do this?"

I proceeded with my vast knowledge of Moroccan table etiquette to explain how the bread serves as the fork or in essence kind of like a glove for one to dip and grab whatever is in one's real estate or food that is directly in front of you.  Gregg provided some cultural commentary on the tradition by explaining how eating in close proximity to each other and from the same platter was part of the community lifestyle that is exhibited in Moroccan society and how it serves to reinforce family bonds.  However, even with my exemplary demonstration on how to eat Moroccan style or the commentary, everyone went for the forks and went straight for the chicken.  Even though I am a big Moroccan bread fan, I'd much rather eat the meat without bread so I joined them fork in hand in prying the meat from chicken.  After getting our fill of all the garnishes and the chicken, Amina followed it with a platter of watermelon and big, fat Sefrouian cherries.

It was cool to see the ambassador and his family in an informal setting: his family kidding with him calling him "His Excellency" and his youngest grand-child taking bites out of the cherries and spraying everyone around with cherry juice.  It was great to see the ambassador almost eating Moroccan style.  I gave him a break.  It took me a while to replace the fork with bread.

He was happy to see that his security staff also got fed.  He mentioned that in some cases his security staff are not invited to eat.  Amina said that there was no way she would let those men go hungry.  The ambassador was extremely grateful for the food and the company, gave me and Amina his business card, and then we all posed for photos.

We walked the ambassador and his family back to their Suburbans.  I stayed behind with Amina and waved to them as they departed.  Amina was still overjoyed.  She still could not believe that  the Ambassador of the U.S. to the Kingdom of Morocco had dined in her home.  I was happy for her, but I was even more happy for the ambassador and his family who I believe got a different taste of Morocco here in Sefrou.  It was an exciting moment for me.  It was a pleasure to tag along with the ambassador and his family for a bit, being part of the entourage and riding in the Suburbans was a highlight, chowing down some Moroccan grub in typical Moroccan fashion, and just relaxing and shooting the breeze with him and his family.  It was a fine and memorable day in the life of another Peace Corps volunteer.

Wednesday, June 9, 2010

Empowering Women: Artisan Cooperatives That Transform Communities


More good news to pass along. On June 29, Amina Yabis heads off to America to take part in the opening of an exhibition on July 4 titled Empowering Women: Artisan Cooperatives That Transform Communities at the Museum of International Folk Art, and then will participate in the 7th annual Santa Fe International Folk Art Market from July 9-11.

Over the last couple of months, Amina and I have been in touch with the museum curators sending photographs and quotes for the exhibit. We had a little difficulty getting the right shots at first. Fortunately a couple of friends who happen to be avid photographers came to visit me from Spain and as I do with all my guests, I put them to work. They took some marvelous pictures of the women of the cooperative. The museum was pleased with the collection and selected a few of the shots so big shot-outs to my friends Lisa Anaya and Oriol Llados for their contribution. 

Once again another big "THANK YOU" to RPCV Gregg Johnson for his help in putting the application packet together back in October of last year for admission to the Santa Fe International Folk Art Market. The Cherry Buttons Cooperative received their invitation in January and in February we sent all the forms to confirm her participation. This time around the coop will have a full table displaying Sefrou's famous hand-woven buttons, button necklaces, Moroccan slippers adorned with buttons, and their multi-color scarves and natural dye chales. If you're in the neighborhood, I invite you to drop by and also to drop some dollars at her stand. 

What Amina Yabis has done with the cooperative is truly remarkable. In just ten years, the cooperative has grown from 10 to over 40 members, provides steady employment for a number of women, welcomes new weaving apprentices every year, provides natural dye trainings throughout the country, and travels to expos all over Morocco, Europe, and the U.S. Also, this year the coop's sister NGO, the Golden Buttons Association, will be holding it's 4th Camp GLOW (Girls Leading Our World) in July. Amina is grateful for the support of Peace Corps volunteers, PCV families and RPCV groups who have supported Camp GLOW, partner NGOs like the High Atlas Foundation, Maiwa Foundation, the Santa Fe Intl. Folk Art Market who through their skillful fundraising financed Amina's first trip last year, and is of course grateful to her family who has pitched in with the cooking and housework to enable her to carry out her work.

Please take a moment to read through the museum's official press release on the opening of the exhibit and if you can, pass it along to your friends.

FOR IMMEDIATE RELEASE
May 18, 2010

MEDIA CONTACT
Steve Cantrell
505-476-1144

A quiet revolution is taking place around the world led by women artisan cooperatives. Taking the initiative to collectively produce, manage, and market their crafts, they have enriched their lives and become powerful forces in their communities. On July 4, 2010 the Museum of International Folk Art inaugurates its’ “Gallery of Conscience,” a space dedicated to exploring contemporary issues affecting folk art production and consumption.

Empowering Women: Artisan Cooperatives That Transform Communities kicks off the first annual International Folk Arts Week – a week of demonstrations, lectures, folk music, performances, and other programs held in conjunction with the Santa Fe International Folk Art Market running July 9 through July 11, 2010.

Focusing on ten cooperatives that illustrate how the power of such grassroots collaborations transform women’s lives, the exhibit brings together first person quotes, stellar photos, and stunning examples of the cooperatives’ handmade traditional arts to tell stories of how women folk artists are working cooperatively to:

• Preserve and reinvigorate their traditional arts

• Generate steady livelihoods for their families

• Give back to their communities

• Become leaders in public life

• Overcome domestic violence

• Develop literacy programs for themselves and their children

• Heal the traumas of war

• Sustain their natural environments

• Save for the Future

The featured cooperatives are drawn from three continents and ten countries including India, Nepal, Swaziland, South Africa, Rwanda, Kenya, Bolivia, Lao PDR, Peru and Morocco. Featured folk arts include embroidered story cloths, hand dyed sisal baskets, beaded neck collars, hand carded and dyed wool weavings, cultivated bromeliad bags, and folk paintings of village life.

“As the largest folk art museum in the world we have a responsibility to create a forum to discuss current issues that folk artists are facing around the world. This ‘Gallery of Conscience’ will be devoted to the examination of issues that threaten the survival of the traditional arts, bringing them to the attention of our visitors,” says Marsha Bol, Director of the Museum of International Folk Art. “We intend to address, over the course of the next few years, such issues as: the ecological implications of the acquisition of materials used in producing folk arts, the impact of political conflict and war on folk arts, and various economic and social issues that threaten to disrupt folk arts. We will also exhibit examples of successful solutions to such circumstances.”

There is a strong connection between this exhibition and the Santa Fe International Folk Art Market which has; “…always [been] a supporter of cooperatives, recognizing their power to bring both cultural and economic sustainability to communities,” said Folk Art Market Director Charlene Cerny, “Most of the cooperatives at the Market involve women.”

When anthropologist Dr. Suzanne Seriff was asked to guest curate an exhibition on women’s artisan cooperatives at the Museum of International Folk Art she had a unique perspective as head of the Folk Art Market’s Selection Committee. Seriff was; “…struck by the large numbers of women's cooperatives applying to the Market, and their incredible stories how working collaboratively changed their lives. In this exhibition I wanted to bring some of these larger stories to the public, to give the women a chance to speak for themselves—in their own words about their work and their lives and how women all over the world are improving their lives, families and communities with the power of cooperatives."

Nicholas Kristof recently wrote in the New York Times how these women’s artisan cooperatives are change agents in the developing world. One Moroccan woman teaches a village to read. An embroideress from Gujarat takes out a loan for the first time at the local bank. A Hutu woman from Rwanda works side by side with a Tutsi to make the peace baskets that are working to heal their war-torn country. In Swaziland, the village women use profits from the sale of their handwoven sisal baskets to feed and educate the hundreds of children in their village orphaned from AIDS. In Bolivia, displaced Ayorean women learn to cultivate the bromiliad plants that were once native to their jungle habitat and from which they weave their native dress and hand dyed bags. Women artisans from all over the world are using the power of artisan cooperatives to reach new markets and transform their lives.

Two representatives from each cooperative featured in the exhibit will participate in a full week of demonstrations, discussions, lectures, and artist-led exhibit tours beginning with a facilitated roundtable discussion with the curator during the opening on July 4, 2010 from 2:00 to 4:00 p.m. The opening will be hosted by the Women’s Board of the Museum of New Mexico from 1:30 to 3:30 p.m.


Empowering Women: Artisan Cooperatives That Transform Communities runs July 4, 2010 through January 2, 2011.

Monday, April 19, 2010

Interior and Exterior Affairs: Moroccan Cafe Culture, Static or Dynamic?

Morocco loves their tea and their coffee. They've even branded their sweet as molasses mint flavored green tea, using their French, Le Whisky Marocain. I blogged earlier about the syncopated and sometimes harmonious tea and coffee slurping that goes on in many cafes. Women are no strangers to the slurp. In fact, one of my host grandmothers could slurp it better than anyone, teeth or no teeth. Nonetheless, because the cafe is a public space, my grandmother would never be able to establish her slurp as one to be reckoned with, but bear in mind that this may be something she has no desire to do.

A year into my service and I still feel like something is wrong when I walk into a cafe replete with men. Some are reading their newspapers and others engage in conversations that involve a lot of arm waggling and hand gestures that appear to be heated but are completely normal.  Most, though, are staring out yonder, people watching.  As a man in Morocco, I do my best to meet societal expectations, which means frequenting a number of cafes on a regular basis and performing the aforementioned behaviors with great dedication as doing so is part of my job as a Peace Corps volunteer. The PC mission is to spread "World Peace and Friendship" and its goals are, in abbreviated form: first, to provide technical assistance; to promote a better understanding of Americans to the locals; and third, to have Americans understand my host country friends. So when I pause from saving the world with my technical prowess, I hit a cafe and chat it up with the men.

We have man talk, which comprises of the weather, the price of the vegetables, work, the lack of work, a lack of social entitlement benefits, the latest news, some politics, some minor sex talk, the kids, questions about whether I like Morocco or not, some more convincing that I am American, am I Republican or Democrat, Obama, and do I like FC Barcelona or Real Madrid. These are great conversation topics. My Arabic is to the point where I can understand just enough to get the gist and throw in another follow up question that may only be slightly related, but still demonstrates that I understand. As much as I enjoy crashing the cafe, I must admit that these conversations get repetitive and I wonder how would the cafe be with more women around. Would we perhaps talk about Hillary instead of Obama?

Because the cafe is a public space, it is almost exclusively a male franchise. The big cities can be exception to this rule, but the percentage of patrons at cafes is still overwhelmingly male even in the biggest and most progressive of Moroccan cities. As a westernized women's rights promoter, I would join any "Take Back the Cafe" movement if there was one, but there isn't one that I'm aware of and I'm not sure that women were ever present in cafes in the past so the movement may need to be named something like "Taking Over the Cafe", but then that implies ownership.  The slogan and acronyms need to be given more thought, but you get my point.

For traditional and perhaps some religious reasons, public social interaction between men and women is highly segregated especially in most rural areas of the country.  As such, women have ceded places to men that men frequent and men have likewise ceded to women the home as women's domain. I remember during homestay how I would rarely see my host brother who would only come home for brief moments to grab a bite to eat and then fly out as soon as the meal was over, not to work but to the cafe. Sometimes there was a must-see soccer game to catch and it made complete sense since now a lot cafes are equipped with top of the line flat screen televisions. Not feeling like hitting the testosterone gathering or to exit out of the cafe smelling like cigarettes, I stayed home to study with my host mother. However, my host mother had an agenda of her own. It was time for tea talk with ladies. After some odd glances from a number of ladies, I understood that I needed to take my studying from their conference space to another room so the ladies could chat it up.

I don't think my mother or some of my host sisters are disheartened about not being able to crash the cafe. I have only come across a few Moroccan ladies that have asked me whether I liked Barca or Real Madrid.  That's not to say there are no female soccer fans, but going to watch a soccer match may not be a major draw for a large majority of ladies. Also, I don't encounter a lot of female smokers (perhaps one of the reasons why women outlast men by over 6 years) so I presume that they don't need a venue to do so.

There is no law in Morocco preventing women from congregating at cafes.  In my small town cafes, I have seen some young people, male and female, meeting up, which I've yet to determine if that is a new generational trend that will continue to grow or if they will adhere to the norms after a certain age kind of like how the Amish do in my state of Indiana. Then, supposedly as I've been told by the locals, some ladies that go unaccompanied and light up a cigarette at some specific cafes or with more certainty at a bar are perhaps going there not for casual conversation but for business reasons, which is nothing out of the ordinary in many U.S. establishments. Perhaps another reason why some women refrain from going to cafes unaccompanied and from lighting up.

In this patriarchal society like much of the western world, men are still expected to bring home the Halal bacon. They interact with fellow men at work, travel to other parts in search of employment, and when the sun goes down, they relax at a cafe.  On the other hand, the women do their shopping at the local market sometimes in the morning, prepare the meals, and mingle with other women throughout the day and into the evening in the comfort of their own homes.  Both men and women sip and slurp their mint tea or coffee in the company of their dear friends, men in an outdoor cafe and women in their respective living rooms.

I think granny is fairly content sipping her tea with her female friends.  It's what she has known and how she has lived.  With the rise of Western influence on the younger population through countless media outlets and many more Moroccan women attaining higher levels of education, joining the workforce, and filling prominent political roles in Moroccan society, will younger generations continue to leave things as is?  Will the cafe as with many other public spaces remain primarily a male environment, and vice versa will the home continue to be the meeting place for many women?  Will cafe owners seeing the growing buying power of some women retrofit their cafes to attract female clientele?  I can't really say, but I'm curious to see if and how it may develop.   

Thursday, July 2, 2009

Button-Mania in Morocco

Sefrou hand-knotted buttons
Sefrou--Morocco is going crazy (Hmq as they say in Moroccan Arabic) over hand-knotted buttons. It's all the rage. It's mayhem & pandemonium wherever you go. Thankfully, a cooperative of about 40 women and many families living in some of the most remote areas of the country have responded to the call for buttons and are producing them at an alarming rate in order to dispel any notion that there are not enough buttons in the market.

In a move to quell some of the fears in foreign markets, a partnership between the Santa Fe International Folk Art Market and the W.K. Kellogg Foundation was struck to bring one of the leading figures in the handmade button-making industry, Amina Yabis, President of the Coopérative Artisanale Féminine des Boutons en Soie 'Cerises', also known as the Cherry Buttons Cooperative, to their market, taking place July 11-12 in beautiful Santa Fe, New Mexico.

Amina Yabis at Fez Artisana Expo
The cooperative is taking an ample supply of buttons that will be available for purchase. She will also be holding several button-making demonstrations at the event. If you're in the neighborhood, I invite you to drop by and get in on one of the hottest trends in the country. You can also visit the cooperative's site, http://boutonsdecerises.wordpress.com, to view a small sample of buttons and other products adorned with her buttons, but you will not be able to buy just yet. Reports from anonymous sources who did not disclose their names because of the sensitive nature of the situation have said that ordering from the web may be available upon the return of the cooperative's president in late August.

If I had to write a press release for the cooperative, that's exactly how I would do it.  Granted the rush for buttons might be a bit exaggerated and global markets are not in disarray over the imbalance in the supply and demand of hand-knotted buttons, but I do think the product is one of a kind and like many things produced by many artisans here in Morocco, all that's needed is a bit of recognition and marketing and their artistry would be in high demand.

Along with this press release, I have worked with the cooperative to create a website/blog that tells the cooperative's story.  It's been a work in progress for quite some time so it's nice to see it up and running. Just imagine getting all the info for a site in two languages that you can half speak. Many of the photos came from a guest photographer all the way from Argentina that decided to help the cooperative during her short visit to Sefrou. Thank you very much Jimena for the shots and thank you, Mr. Gregg Johnson, RPCV Morocco, for providing a lot of the history and for continuing to assist the cooperative at the market.

Sometimes it does feel as if the whole city is caught up in button-making. As I walk around town in the morning and afternoon, I see many women sitting just beyond their front door with a small basket, a small spindle, and some thread sewing buttons at remarkable speeds.  In the evenings, small groups of women gather at the city's main plaza to chat it up and to weave buttons.  At night, as the late-night dinner cooks in either a tagine(Moroccan cone-shaped crock pot) or the pressure cooker, they continue to wind the intricate patterns into the tiniest of buttons. In the case of my host family, all my host siblings even as young as 5 years old were weaving the buttons. So in a way at least for Sefrou, it is pandemonium.  My hope is that the pandemonium spreads to the U.S. and other areas where the artistry will be recognized and valued, which in turn would improve the livelihood of all involved in the button-making mayhem.